The graduate film analysis

The graduate film techniques

After moping aimlessly through two-thirds of the picture, he is transformed, through his pursuit of Elaine, into the conventional man, resolved upon his chase. When it came time to adapt the book for the silver screen, the job went to screenwriters Calder Willingham and Buck Henry. Naturally gifted, with a family of wealth and position to back him up, an impressive degree, a fellowship award, the ability to excel in almost any career he might choose, Benjamin exists, as the film opens, in that condition of voluptuous potentiality which is supposed to define young men. If he would just keep fabricating excuses for his behavior like everyone else seems to do , he would probably achieve the goal that has been set out for him. McCleery the landlord , and finally Mr. Ben: Yes, I have, but I just Nichols has provided his film with the texture, if not the substance, of contemporaneity.

Decision Story Driver Mrs. Robinson, here we are, you've got me into your house.

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When he demurs at her demand that he never see Elaine again, she threatens to tell all. Yet while everything he has done has made his parents proud, Ben finds himself struggling with the fact that he has no idea what is his purpose in life. The director, Mike Nichols, is able to express these characters emotions and moods through an exceptional style of visual composition and sound editing that changed the course of film. They see the young graduate as a means of fulfilling their own ambitions - in classic 'small talk' encounters: Hey, there's the award-winning scholar. Standing in front of the door naked, impressing the image of her body on his brain goes a long way toward compelling Ben to set aside all thoughts of his future. Robinson has meanwhile enlisted Mr. That is until Ben makes the mistake of dating Mrs. Nichols has provided his film with the texture, if not the substance, of contemporaneity. He should be gone for several hours. After Elaine screams and kicks Benjamin out of her room, Nichols shows a medium close-up of Mrs. In , he spent his own money optioning the original novel of the same name by Charles Webb , and then followed two years of being turned down by every major studio in town. Robinson to suggest that Ben give a call to Elaine when she comes into town. Consequently, in these moments they are either driven to silence, or completely away from each other. For example: He nodded. Robinson is extremely nonchalant.

Ben: But they would! It is an immense task, granted, but we cannot afford to accept less from our first mid-century genius. She sees him and, for a protracted moment, walks blankly up the aisle toward him. Robinson in the bar from the phone booth outside.

The graduate film analysis

As the older generation ages, they tend to not understand the things the younger generation does, and this is also clear in the movie when Benjamin is asked about his future during the graduation party.

And so he sets off to marry Elaine.

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Robinson has locked the door and is standing before him, stark naked. Robinson: Won't you unzip my dress?

The graduate film analysis essay

The novel, in dialogue that is omitted from the film, makes this abundantly clear at a number of points. They stare blankly ahead, because at last things have stopped happening at a preoccupying clip. Robinson are two extremely narrow-minded people. Robinson asks him to drive her home, Ben does everything he can to avoid it. This is the case with "The Graduate," In which Mike Nichols announces himself as a major new director. Later, after Mrs. Suddenly, he is overflowing with energy and sense of direction. When something funny happens, the actors don't react; the movie itself reacts by what it shows next. Robinson tells Ben not to talk about Elaine, he questions her motivations and wants to understand why she insists upon decree. Main Character Throughline Synopsis Ben has spent his entire life playing the role of the ideal son—doing what is expected of him. In New York, in its first week it broke the house record at each of the two theatres it played in—the Coronet and the Lincoln Art. Another family friend congratulates him: "Hey, here's the track star.

Thank you. What is sometimes obscured is the fact that, long after people ceased to be shocked by this twist, the film continued to attract new audiences.

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View Comments. At 35, Bancroft was only six years older than Hoffman, and eight years older than Katharine Ross, who played her daughter, Elaine. Decision Story Driver Mrs. The ending does answer the question: How will Benjamin get to marry Elaine, whom he loves? Ben: Yes sir. Unfortunately, with so much emphasis on the future, no one seems to pay any attention to what has been going on right in front of their eyes, in the present. The idea that his future is assured. Do we infer from the vigor of his pursuit, and from the conventionality of Elaine, that they will soon be discussing a mortgage on a split-level in Tarzana? McGuire: There's a great future in plastics. Ben: Oh no, Mrs.

Benjamin proposes marriage.

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The Graduate ()